(A.D. 1813–1855) Danish philosopher and theologian, critic of Hegelianism and modernist Christianity. Kierkegaard mocked the rationalist faith of En... more (A.D. 1813–1855) Danish philosopher and theologian, critic of Hegelianism and modernist Christianity. Kierkegaard mocked the rationalist In word for belief and faith is the same in Latin and most European languages, but in English faith often denotes an active believe, one that inspires... more of A broad term for 18th century European intellectual developments, including deism and other movements critical of orthodox Christianity, that are char... more thinkers and Hegel and stressed instead the In word for belief and faith is the same in Latin and most European languages, but in English faith often denotes an active believe, one that inspires... more of the passionate individual. He adapts Hegel’s dialectic to describe the role of anxiety, Luther uses this term to identify the reality of guilt and not the feeling of remorse for wrong-doing. Terror was the emotion Luther equated with a gu... more, and despair in an individual human existence facing the task of becoming Christian. His focus on human existence as a task makes him a founder of A 20th century philosophical, theological, and literary movement which grew out of the teachings of the 19th-century philosopher/theologian Kierkegaar... more.
“Light at the end of the arched tunnel. Blood on the stone wall. Rust on the cell’s bars. The glance of a gladiator sitting in his cell. The soldier’s sandals stepping in front of her. Amora grasped every detail as her world moved in slow motion, drawing her closer to her fate. The stench of death permeated the suffocating darkness, making a mockery of the heightened vitality within her. Her chains rattled, gears ground, animals roared, and people cheered. She gave them no heed. Amora, in an elegant white gown, moved with natural grace in front of a cell of prisoners. Her sixteen-year-old chained slave, Maria, followed behind wearing a simple tunic; a second soldier brought up the rear…”
With that introduction, author Grant Hallstrom draws you into the world of ancient Rome with its intrigue and contrasts, where he explores the timeless struggles between revenge and forgiveness, hope and despair, and loss and redemption.
This award-winning bestseller follows Amora on her path of self-discovery from her opulent teenage wedding with Leo through her life full of personal disappointment, tragedy, and betrayal, ultimately leading to peace in the face of death. We watch Leo withdraw into his dark private world of despair as he struggles to maintain his standing in society while trying to escape from the ever-present pain of loss. We delight in the romance between two slaves and champion the young man’s quest to avenge his lover’s untimely death. The sweeping panorama of this immersive story includes the suspense of battles and the action of gladiators fighting to survive in the arena as well.
The author weaves a well-crafted and deeply researched historical fiction based on a true story that will captivate the reader’s attention from the start. The book is filled with non-stop action and suspense, so you are never sure what’s about to happen on the next page. This superbly written and richly descriptive novel with brilliantly drawn characters and settings will have you turning pages from beginning to end. Skillfully constructed, cinematic in presentation and deeply inspiring, this thought-provoking book makes a solid impact.
Even though the book shows how new Christian ideas influenced some characters, it does not try to convert the reader. It simply tells the story including the role that religion played in their lives. Amora is ultimately a story about love, family, friendships, faith, trials and forgiveness. It is well worth the read!
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