Cyril of Alexandria (c. A.D. 378-444) (fl. early 5th century) Archbishop of Constantinople who denied that Mary was theotokos or Mother of God. His Christology was accused of splitting Chr... opponent, Bishop of Alexandria, dominant figure at the (431 A.D.) The Council of Ephesus (the third ecumenical council), led by Cyril of Alexandria, condemns Nestorius and his Christology; the council emph... 431, known for his is another term used to identify Christian theology regarding the Incarnation and nature of Christ. of Is a technical Greek term used to describe the unique unity between the two natures, divine and human, in the one person or hypostasis of Christ that ..., which emphasizes the unity of the Derived from the Latin term persona and the Greek term prosopon. It is a technical term in Christian theology for the concept that the Trinity consist... of Derived from a Greek term meaning anointed and is equivalent to the word “messiah” from Hebrew roots. The anointing references the act of installi..., and his defense of the title A Greek literally meaning “God bearer” that early Christians loosely translated as, “Mother of God” as a title for Mary, This led to the Nesto... (Mother of God) for the Virgin Mary (born c. 18 B.C.) was a Galilean Jewish woman and mother of Jesus. Christians believe that Jesus was conceived miraculously through the Holy Spir....
“Light at the end of the arched tunnel. Blood on the stone wall. Rust on the cell’s bars. The glance of a gladiator sitting in his cell. The soldier’s sandals stepping in front of her. Amora grasped every detail as her world moved in slow motion, drawing her closer to her fate. The stench of death permeated the suffocating darkness, making a mockery of the heightened vitality within her. Her chains rattled, gears ground, animals roared, and people cheered. She gave them no heed. Amora, in an elegant white gown, moved with natural grace in front of a cell of prisoners. Her sixteen-year-old chained slave, Maria, followed behind wearing a simple tunic; a second soldier brought up the rear…”
With that introduction, author Grant Hallstrom draws you into the world of ancient Rome with its intrigue and contrasts, where he explores the timeless struggles between revenge and forgiveness, hope and despair, and loss and redemption.
This award-winning bestseller follows Amora on her path of self-discovery from her opulent teenage wedding with Leo through her life full of personal disappointment, tragedy, and betrayal, ultimately leading to peace in the face of death. We watch Leo withdraw into his dark private world of despair as he struggles to maintain his standing in society while trying to escape from the ever-present pain of loss. We delight in the romance between two slaves and champion the young man’s quest to avenge his lover’s untimely death. The sweeping panorama of this immersive story includes the suspense of battles and the action of gladiators fighting to survive in the arena as well.
The author weaves a well-crafted and deeply researched historical fiction based on a true story that will captivate the reader’s attention from the start. The book is filled with non-stop action and suspense, so you are never sure what’s about to happen on the next page. This superbly written and richly descriptive novel with brilliantly drawn characters and settings will have you turning pages from beginning to end. Skillfully constructed, cinematic in presentation and deeply inspiring, this thought-provoking book makes a solid impact.
Even though the book shows how new Christian ideas influenced some characters, it does not try to convert the reader. It simply tells the story including the role that religion played in their lives. Amora is ultimately a story about love, family, friendships, faith, trials and forgiveness. It is well worth the read!
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